Tag Archives: Ed Young

Double-triple-quadruple happiness, and more….

It’s a double blessing to encounter Ed Young‘s childhood memoir, The House Baba Built (see my earlier article here); and to follow up with Allen Say‘s memoir of growing up with his mentor, in Drawing from Memory (illustrated below), when selections from both books are also in The Original Art Show.

In his feature in the N.Y. Times Book Review, Terry Hong writes:

“… Both books describe how family can guide artists in their early years. In Say’s case, it was a chosen family;  for Young, the extended family into which he was born …”

From Allen Say's "Drawing from Memory" (click to enlarge)

(click to enlarge)

(click to enlarge)

___________________________________________________

Medium: Watercolor, pen, ink,pencil and photography
Publisher: Scholastic Inc.
Imprint: Scholastic Press
Art Director: David Saylor
Editor: Andrea Davis Pinkney

______________________________

An interview with Allen Say
A list of Allan Say books
___________________________________________________
Illustration by Nancy Carpenter (below) from Imogene’s Last Stand

When artist Nancy Carpenter was asked what she did for relaxation, she replied “Fix lamps and rearrange my furniture.”

This aptly describes the spunky exuberance of her visual story-telling, coupled with superb draftsmanship, plus an innate knowledge of how a child’s mind operates.

I asked her to share highlights with us from her Original Art Show selection, 11 Experiments That Failed, and she sent the following images, alongside her comments.

figure 1 (click to enlarge)

Nancy Carpenter:  This is a close up of the opening experiment, (figure 1, left) “Hypothesis:  Ketchup and snow are the only food groups a kid needs.”

The protagonist here starts out with the exuberant confidence she displayed in 17 Things I’m Not Allowed to do Anymore  (Jenny Offill & Nancy Carpenter‘s previous book together).

figure 2 (click to enlarge)

The experiment is having some effects on her and her brother after what could be several days of the snow and ketchup diet (figure 2, right).

Here’s another experiment, called “What makes fungus grow” (figure 3, below).

figure 3 (click to enlarge)

NC:  This experiment, called “Can a washing machine wash dishes?” (figure 4, below), is very close to one I have tried (and failed at) — Can the dishwasher wash my socks?

JC:  I must confess I’ve tried that experiment too. Once…

figure 4 (click to enlarge)

Joy Chu: These pieces are so delightful and full of life. Every detail tells its own story! Do you create a foundation of sketches; that is, clean up & add ink; make scans first; then add layer upon layer via Photoshop? How’s that for a multi-layered question?

NC: I do my drawing in india ink on bristol board.  I typically draw freehand with my sketch as my reference. I like the unexpected mistakes drawing with permanent ink creates. It makes the lines more lively and spontaneous. The downside is that I often need to do dozens of drawings to get one that looks like I just sat down and quickly drew it.

I then scan the black lines and add colors with layers of collage, or layers of paint swatches with Photoshop. If you look carefully, sometimes you can see the strokes from one layer going in one direction and then another thin color layer going in another direction.

I haven’t used real paint in quite a few years. This approach is far less toxic or messy. I do, however, miss having a finished painted piece.

JC: Which one of these is the piece that’s hanging in the Original Art Show?

NC: The piece I used in the Original Art Show is the washing machine washing dishes. I felt, among all the art, it conveys the essence of the character as well as the idea of that particular experiment, without needing words.

JC: You provided a print-out, then. Who took care of the framing?

NC: I had it framed myself, with a black frame and later painted the frame a Pepto-Bismol®pink. I thought [the effect] was more light-hearted and fun.

I enjoyed your link [on the public Got Story Facebook page] to a blog article by Will Terry — Get Over ItYou’re Just Another Artist!   My sentiments exactly. At first I started out determined to win awards and be on top. Now, years later, I’m just happy to be able to do this full time, and continue to get work.

I go to the Original Art Show to see if anyone is worse than I am and still allowed to hang a piece of art. It makes me feel momentarily above average.

JC:  I can think of no one else who does smart and spunky, naughty yet charming, little girls better, nor more colorfully, than you do. Thank you for sharing your process with us.

Click here for a list of books illustrated by Nancy Carpenter
Illustrations and cover from 17 Things I’m Not Allowed to do Anymore (above right), the prequel to 11 Experiments That Failed (below)

Medium: Pen and ink with digital
Publisher: Random House/ Schwartz & Wade
Art Directors: Lee Wade and Rachael Cole
Editor: Anne Schwartz

___________________________________

While Carter Goodrich‘s dogs, Zorro and Mr. Bud (right), won a place as a selection (and in the official Society of Illustrator’s catalog), circumstances prevented getting an original piece from Say Hello to Zorro!  on display at the show itself.

However, Carter Goodrich writes:

“I’m so happy to hear that your students like Zorro! Please tell them book number two, Zorro Gets an Outfit will be out in May.”

 

Check out Carter Goodrich‘s website, which includes his animation work and studies for many familiar Pixar characters.

Medium: Watercolor
Publisher: Simon & Schuster
Imprint: Simon & Schuster Books for Young Readers
Art Director: Dan Potash
Editor: Justin Chanda
Author: Carter Goodrich

____________________________________

We switch gears to an art style that’s soft-with-panache, via selections from two books — I Had a Favorite Dress, and Just Being Audrey, both illustrated by Julia Denos.

from "I Had a Favorite Dress" (click to enlarge)

Julia’s exquisite line work, design sense, and spare application of color displays the influence of her affiliations with advertising for luxury living spaces, alongside fashion-themed flair.

"I Had a Favorite Dress" (click to enlarge)

(click to enlarge)

(click to enlarge)

Some behind-the-scenes commentary from Julia herself:

“…Boni Ashburn wrote a lovely story with a very fun cadence to it. Right from the get-go, it made me feeling like dancing;  I wanted the text to dance, and I wanted the art to dance…(I’m not gonna lie, I had a sweet summer soundtrack consisting of Animal Collective /jazz blasting, so I did a lot of dancing around).  Boni’s words, “SNIP SNIP, SEW SEW” helped me feel playful enough to want to cut up, collage, get messy…”

“…I spent my weeks in a blissful world of little dresses, buttons, city scapes, and thread……”

“…A very SERIOUS struggle to find the right pink…”

“…[art director] Chad Beckerman helped turn these thumbnails into something that made sense…”

“…[here's the] cover sketch on the light box…”

Medium: Watercolor, colored pencil on hot press paper
Publisher: Abrams/ Abrams Books for Young Readers
Art Director: Chad W. Beckerman
Editor: Maggie Lehrman
Author: Boni Ashburn

____________________________________

Earlier in her blog, Julia walks us through her creation process for Margaret Cardillo’s picture book biography about Audrey Hepburn, Just Being Audrey:

“…While working on the book for Audrey, I’ve been lucky enough to get to research her dreamy era for cues on dresses, buildings, streetcars, hats and important places like the old Fulton Theater in New York … As an added bonus in making biographical art, I feel I have made a dear new friend. Audrey did not have an easy life by any means, but seemed to glean joy from most any circumstance (which is not always easy!) making her luminous…”

“…Here’s a peek at some of my desktop reference I was looking at as I finished painting the interior art … Dreamy reference, right?…”

from "Just Being Audrey" (click to enlarge)

Medium: Watercolor, colored pencil on hot press paper
Publisher: HarperCollins /Balzer + Bray
Art Directors: Carla Weise and Jenny Rozbruch
Editor: Alessandra Balzer
Author: Margaret Cardillo

The picture book as memoir

In a recent School Library Journal article, Anita Silvey reflects on the current state of affairs regarding children’s books. She writes:

“…Our children need picture books — all kinds of picture books. I can’t imagine a children’s book world without this glorious form. We’re demographically moving into a new baby boom. . . . We need real stories, and long stories, that can be read more than once…”

The picture book as memoir offers infinite possibilities. Reminiscences about family are an invaluable treasure trove of ideas.

Sharing stories can unplug a well-spring of long forgotten tales from family and friends that might not otherwise surface. Yes, you can collaborate with your family on a picture book story!

Here are a few examples:

_________________________________________

click to enlarge

I’ve been a long-time fan of Marisabina Russo‘s work, from her early beginnings as an artist for newspapers and magazines like The New Yorker, to her current career as picture book author/illustrator.

(click to enlarge)

Here is the trailer for her latest book, I Will Come Back for You: A Family in Hiding During World War II (Schwartz & Wade/Random House), about being separated from one’s father and fleeing into the mountains against the backdrop of the Holocaust. It’s a true story, as told to the author by her grandmother.

Her debut, The Line-Up Book (Greenwillow), was a well-worn out family favorite in my household. It recalls one special day in the life of a mother and son. Still in print (first published in 1986), it continues to strike a universal chord. Revisiting that story brought back a rush of remembrances of how inventive my little son was during his cozy ‘alone’ moments at home.

_________________________________________

click to enlarge

Encountering the above mentioned picture book memoir  brings to mind Giselle Potter‘s  The Year I Didn’t Go to School (Atheneum/Anne Schwartz).  Of particular note is the clear voice of the narrator, who doesn’t find it unusual to take a year off from school to join her bohemian family with a circus troupe in Italy. I felt the concern of the grandparents through the illustration, as they watch Giselle’s family take off at the airport.

_________________________________________

Ed Young shares vivid memories of his childhood in Shanghai during WWII in The House Baba Built(Little Brown)Cited by Publishers Weekly as one of the Best Children’s Nonfiction Picture Books of 2011, it is also a Junior Library Guild Selection.  It also garnered wide critical acclaim plus  starred reviews from Publishers Weekly, School Library Journal, and Booklist.

The book is chock full of rich anecdotes, sumptuously illustrated with torn and cut paper, pencil, chalk, pastel, ink, paint, and photographs. A labor of love, it features eight (yes 8!) gatefolds.

jacket illustration from "The House That Baba Built" by Ed Young

jacket illustration from "The House That Baba Built" by Ed Young (click to enlarge)

As World War II was approaching Shanghai, Ed’s father worked on a plan to protect his family. From The House Baba Built :

“…The safest part of Shanghai was where the embassies were. . . . But the only land for sale there cost far more than my father could pay. So he offered to build a big brick house on it, with courtyards, gardens, a swimming pool, and let the landowner have it all. . . “

provided that Ed’s family could live there for twenty years. The landowner agreed.

Ed’s father, a trained engineer, draws up the plans…

One of 8 gatefolds, featuring an overhead view of the house Ed Young's father built, with swimming pool (click to enlarge)

The house was transformed as needed to a place for games, for relatives to gather, and to be safe.

The house was transformed as needed to a place for games, for relatives to gather, and to be safe. (click to enlarge)

Cousin Sonny spontaneously draws the cowboy Ed describes, as more relatives are sheltered in the house.

Cousin Sonny spontaneously draws the cowboy Ed describes (click to enlarge)

See Ed Young discuss children’s book illustration and his previous work on Shanghai Messenger, written by Andrea Cheng, published by Lee & Low (below).

THE HOUSE THAT BABA BUILT
Medium: Mixed media
Publisher: Little, Brown and Company/Little, Brown Books for Young Readers
Art Director: Saho Fujii
Editor: Alvina Ling
Author: Ed Young

. . . . . . . . . . . . . . . . . . . . . .

Wait, wait, there’s more! 

If you’re in NYC, don’t miss your chance to view an Ed Young original up-close, from The House Baba Built at the Original Art Show.

Also on display is an illustration from Giselle Potter‘s latest book, The Orphan: A Cinderella Story from Greece (Schwartz & Wade), written by Anthony L. Manna and Soula Mitakidou.

And watch for more from our series covering The Original Art Show, right here at the Got Story Countdown!

cover from "The Orphan: A Cinderella Story from Greece"

Cover from "The Orphan: A Cinderella Story from Greece" (click to enlarge)

Medium: Watercolor
Publisher: Random House/Schwartz & Wade
Art Director: Lee Wade
Editor: Anne Schwartz
Authors: Anthony L. Manna and Soula Mitakidou

________________________________________

This slideshow requires JavaScript.