Tag Archives: Original Art Show 2011

Double-triple-quadruple happiness, and more….

It’s a double blessing to encounter Ed Young‘s childhood memoir, The House Baba Built (see my earlier article here); and to follow up with Allen Say‘s memoir of growing up with his mentor, in Drawing from Memory (illustrated below), when selections from both books are also in The Original Art Show.

In his feature in the N.Y. Times Book Review, Terry Hong writes:

“… Both books describe how family can guide artists in their early years. In Say’s case, it was a chosen family;  for Young, the extended family into which he was born …”

From Allen Say's "Drawing from Memory" (click to enlarge)

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Medium: Watercolor, pen, ink,pencil and photography
Publisher: Scholastic Inc.
Imprint: Scholastic Press
Art Director: David Saylor
Editor: Andrea Davis Pinkney


An interview with Allen Say
A list of Allan Say books
Illustration by Nancy Carpenter (below) from Imogene’s Last Stand

When artist Nancy Carpenter was asked what she did for relaxation, she replied “Fix lamps and rearrange my furniture.”

This aptly describes the spunky exuberance of her visual story-telling, coupled with superb draftsmanship, plus an innate knowledge of how a child’s mind operates.

I asked her to share highlights with us from her Original Art Show selection, 11 Experiments That Failed, and she sent the following images, alongside her comments.

figure 1 (click to enlarge)

Nancy Carpenter:  This is a close up of the opening experiment, (figure 1, left) “Hypothesis:  Ketchup and snow are the only food groups a kid needs.”

The protagonist here starts out with the exuberant confidence she displayed in 17 Things I’m Not Allowed to do Anymore  (Jenny Offill & Nancy Carpenter‘s previous book together).

figure 2 (click to enlarge)

The experiment is having some effects on her and her brother after what could be several days of the snow and ketchup diet (figure 2, right).

Here’s another experiment, called “What makes fungus grow” (figure 3, below).

figure 3 (click to enlarge)

NC:  This experiment, called “Can a washing machine wash dishes?” (figure 4, below), is very close to one I have tried (and failed at) — Can the dishwasher wash my socks?

JC:  I must confess I’ve tried that experiment too. Once…

figure 4 (click to enlarge)

Joy Chu: These pieces are so delightful and full of life. Every detail tells its own story! Do you create a foundation of sketches; that is, clean up & add ink; make scans first; then add layer upon layer via Photoshop? How’s that for a multi-layered question?

NC: I do my drawing in india ink on bristol board.  I typically draw freehand with my sketch as my reference. I like the unexpected mistakes drawing with permanent ink creates. It makes the lines more lively and spontaneous. The downside is that I often need to do dozens of drawings to get one that looks like I just sat down and quickly drew it.

I then scan the black lines and add colors with layers of collage, or layers of paint swatches with Photoshop. If you look carefully, sometimes you can see the strokes from one layer going in one direction and then another thin color layer going in another direction.

I haven’t used real paint in quite a few years. This approach is far less toxic or messy. I do, however, miss having a finished painted piece.

JC: Which one of these is the piece that’s hanging in the Original Art Show?

NC: The piece I used in the Original Art Show is the washing machine washing dishes. I felt, among all the art, it conveys the essence of the character as well as the idea of that particular experiment, without needing words.

JC: You provided a print-out, then. Who took care of the framing?

NC: I had it framed myself, with a black frame and later painted the frame a Pepto-Bismol®pink. I thought [the effect] was more light-hearted and fun.

I enjoyed your link [on the public Got Story Facebook page] to a blog article by Will Terry — Get Over ItYou’re Just Another Artist!   My sentiments exactly. At first I started out determined to win awards and be on top. Now, years later, I’m just happy to be able to do this full time, and continue to get work.

I go to the Original Art Show to see if anyone is worse than I am and still allowed to hang a piece of art. It makes me feel momentarily above average.

JC:  I can think of no one else who does smart and spunky, naughty yet charming, little girls better, nor more colorfully, than you do. Thank you for sharing your process with us.

Click here for a list of books illustrated by Nancy Carpenter
Illustrations and cover from 17 Things I’m Not Allowed to do Anymore (above right), the prequel to 11 Experiments That Failed (below)

Medium: Pen and ink with digital
Publisher: Random House/ Schwartz & Wade
Art Directors: Lee Wade and Rachael Cole
Editor: Anne Schwartz


While Carter Goodrich‘s dogs, Zorro and Mr. Bud (right), won a place as a selection (and in the official Society of Illustrator’s catalog), circumstances prevented getting an original piece from Say Hello to Zorro!  on display at the show itself.

However, Carter Goodrich writes:

“I’m so happy to hear that your students like Zorro! Please tell them book number two, Zorro Gets an Outfit will be out in May.”


Check out Carter Goodrich‘s website, which includes his animation work and studies for many familiar Pixar characters.

Medium: Watercolor
Publisher: Simon & Schuster
Imprint: Simon & Schuster Books for Young Readers
Art Director: Dan Potash
Editor: Justin Chanda
Author: Carter Goodrich


We switch gears to an art style that’s soft-with-panache, via selections from two books — I Had a Favorite Dress, and Just Being Audrey, both illustrated by Julia Denos.

from "I Had a Favorite Dress" (click to enlarge)

Julia’s exquisite line work, design sense, and spare application of color displays the influence of her affiliations with advertising for luxury living spaces, alongside fashion-themed flair.

"I Had a Favorite Dress" (click to enlarge)

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Some behind-the-scenes commentary from Julia herself:

“…Boni Ashburn wrote a lovely story with a very fun cadence to it. Right from the get-go, it made me feeling like dancing;  I wanted the text to dance, and I wanted the art to dance…(I’m not gonna lie, I had a sweet summer soundtrack consisting of Animal Collective /jazz blasting, so I did a lot of dancing around).  Boni’s words, “SNIP SNIP, SEW SEW” helped me feel playful enough to want to cut up, collage, get messy…”

“…I spent my weeks in a blissful world of little dresses, buttons, city scapes, and thread……”

“…A very SERIOUS struggle to find the right pink…”

“…[art director] Chad Beckerman helped turn these thumbnails into something that made sense…”

“…[here’s the] cover sketch on the light box…”

Medium: Watercolor, colored pencil on hot press paper
Publisher: Abrams/ Abrams Books for Young Readers
Art Director: Chad W. Beckerman
Editor: Maggie Lehrman
Author: Boni Ashburn


Earlier in her blog, Julia walks us through her creation process for Margaret Cardillo’s picture book biography about Audrey Hepburn, Just Being Audrey:

“…While working on the book for Audrey, I’ve been lucky enough to get to research her dreamy era for cues on dresses, buildings, streetcars, hats and important places like the old Fulton Theater in New York … As an added bonus in making biographical art, I feel I have made a dear new friend. Audrey did not have an easy life by any means, but seemed to glean joy from most any circumstance (which is not always easy!) making her luminous…”

“…Here’s a peek at some of my desktop reference I was looking at as I finished painting the interior art … Dreamy reference, right?…”

from "Just Being Audrey" (click to enlarge)

Medium: Watercolor, colored pencil on hot press paper
Publisher: HarperCollins /Balzer + Bray
Art Directors: Carla Weise and Jenny Rozbruch
Editor: Alessandra Balzer
Author: Margaret Cardillo

A visit with Zachariah OHora

Images from "Stop Snoring, Bernard!"

Illustrator Zachariah OHora made his debut as a picture book author with Stop Snoring, Bernard (published by Henry Holt, released April 2011). His work, rendered in acrylic on Stonehenge printing paper, features strong black outlines combined with crispSociety of Illustrators logo hues of warm reds, teal, brown, black and ochre. He also provided the hand-lettered type. His work was cited a special Founder’s Award at this year’s Society of Illustrator’s Annual Original Art Show.  I was delighted when Zach agreed to visit The Countdown.

Would you tell us briefly your road to illustration? And to publication?

I always wanted to be a children’s "Stay fuzzy and hopeful"book illustrator except for a couple years after high school when I flirted with being a “fine artist,” whatever that means.

Illustration appeared to be a more realistic way to get paid to draw, plus I didn’t have any other job skills.

The road to publication was a long and circuitous route where I did everything you shouldn’t do, until I learned what I should have done. And I’m still learning.

Preliminary rough, plus final version from, "Stop Snoring, Bernard!"

Where did you grow up?

I grew up in Manchester, New Hampshire, a classic depressed milltown in New England. In high school, I became obsessed with The Beats, and in emulation of my hero Jack Kerouac, I hitchhiked across the country and stayed in San Francisco for the next ten years.Another rough sketch, with final art.

I love the sound of your name. Very exotic! Would you share its roots?

The first part is a result of my parents being pseudo hippies and then going 70’s Jesus movement. As a result, I have four brothers and sisters;  all Z’s and somewhat Biblical (Zara, Zelinda, Zephaniah and Zared respectively).

My last name is a bastardization of the Irish O’Hara, someone changed it to O’Hora at Ellis island. For years, the apostrophe stumped computers. I never had dinner or car reservations, so I dropped it. Not really exotic….slightly weird though.

Did you have to go to school to learn to draw?

I always drew, If you were in Mrs. Clements 4th Grade class and you needed a Smurf or a Garfield drawn on your book cover, I was the guy.

I went to school to learn how to think and I graduated from CCA (California College of Art) with a BFA in Illustration.

Zachariah Ohora's studio

Who are your favorite illustrators, and who influenced your work?

Richard Scarry, Syd Hoff, and Margaret Bloy Graham are childhood favorites. I’m hugely influenced by Ben Shahn and Raymond Savignac, Roger Duvoisin and a lot of non-illustrator artist’s and designers.

Current children’s book illustrators who I love are Lane Smith, Marc Boutavaunt, Kevin Waldron, Sean Qualls, Calef Brown and Jon Klassen.

What are your favorite books?Richard Scarry books

This changes constantly, but at the moment; What do People do All Day? and Rabbit and his Friends by Richard ScarryEvery Friday by Dan Yaccarino; and Naked Mole Rat gets Dressed by Mo Willems. The True Story of the Three Little Pigs by Lane Smith and Jon Scieszka was life altering.

What art media do you use to make your pictures?

I paint in acrylics, usually on paper or wood with occasional electronic embellishments.

from "Stop Snoring, Bernard!"

Do you have any kids? Pets?

I have two sons, Oskar who is 4 and Teddy who just turned 2. I also have a cat named Teddy….don’t ask.

What profession other than your own would you like to attempt?

Hard to say (See question one above, for other job skills), but it would probably be something quasi-legal that also helped people. Like Fake Passport Maker.

What’s one thing that most people don’t know about you?

I’m scared of birds, like, REALLY scared. I think my fear originated on an ill-fated day at Benson’s animal farm when I was 4 or 5. The sign said something like “Don’t stick ANYTHING into the Ostrich cage!” But I couldn’t read yet.

from "Stop Snoring, Bernard!"

Are you working on any new projects that you can tell us about?

I’m working on an Ann Wheeler book that I’m excited about; and a book that I wrote about a gorilla named Nilsson who has huge fits and his best friend, a little girl named Amelia, who patiently helps him to not throw fits. Both will be out early 2013. And I’m playing around with ideas for a follow-up to Bernard, but we’ll have to see.

Would  you point us to your web site and/or your blog?

My main illustration site is zohora.com but my blog gets a lot more updates and new stuff and that’s at zachohorastudio.blogspot.com
I have a blog for all things Stop Snoring, Bernard! related at stopsnoringbernard.com. Please come by and follow if you like!

The Original Art: Celebrating the Fine Art of Children’s Book Illustration, is on display at the Museum of American Illustration, at the Society of Illustrators, from October 26 through December 29, 2011.

Medal winners are listed here.

Click here for the complete list of illustrators whose works were selected for this year’s show.

Society of Illustrators building, in New York City

The Society of Illustrators is located at: 128 East 63rd Street
(between Park and Lexington Avenues)
New York, NY 10065
Tel: (212) 838-2560
Fax: (212) 838-2561
E-Mail: info@societyillustrators.org
Gallery Hours:
10 A.M.– 8 P.M. Tuesday
10 A.M.– 5 P.M. Wednesday – Friday
12 noon– 4 P.M. Saturday
Closed most holidays

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Cover from "Stop Snoring, Bernard!" by Zachariah Ohora

A snoring otter? Just ask Zachariah OHora!

Meet the creator of the otter that won the special Founder’s Award at the upcoming 2011 Original Art Show of the Society of Illustrators. Zachariah OHora will answer ten questions about his life-in-art.

[Portrait of the artist as a second-grader, above]

Check out his book, Stop Snoring, Bernard. And add your two-cents plus nosy queries when he visits the Countdown on Wednesday, October 12th!

scene from "Stop Snoring, Bernard!"

Read more about The Original Art Show, and the jury behind the selection process here.

elephant-in-pants, by Zachariah Ohora

Come as your are to the Got Story Countdown!